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예이츠의 영원미: 모드 곤을 중심으로Eternal Beauty as a Symbol of Maud Gonne in Yeats
- Other Titles
- Eternal Beauty as a Symbol of Maud Gonne in Yeats
- Authors
- 진용우
- Issue Date
- 2022
- Publisher
- 현대영미어문학회
- Keywords
- eternal beauty; rose; romanticism; historical cycle; mythology; 영원미; 장미; 낭만주의; 역사 순환; 신화
- Citation
- 현대영미어문학, v.40, no.3, pp 145 - 165
- Pages
- 21
- Indexed
- KCI
- Journal Title
- 현대영미어문학
- Volume
- 40
- Number
- 3
- Start Page
- 145
- End Page
- 165
- ISSN
- 1229-3814
2713-5349
- Abstract
- W. B. Yeats’s early poetic material, which mainly comes from mythology, legend, and folklore, enhances the imaginative being, nobility, beauty, and unified images of eternal beauty. His pursuit of eternal beauty hold out coherence from his early poems to his later ones. His early poems “To the Rose upon the Rood of Time,” “The Rose of the World,” “The White Birds,” and “No Second Troy” depict not only passion and beauty but also the eternal beauty of Maud Gonne. In addition, “Leda and the Swan,” one of his later poems, contains a sexual image and represents a view of the historical cycle and civilization. Helen is a personal symbol for Maud Gonne’s eternal beauty.
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Collections - 인문대학 > 영어영문학부 > Journal Articles
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