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예이츠의 영원미: 모드 곤을 중심으로

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dc.contributor.author진용우-
dc.date.accessioned2022-12-26T08:00:32Z-
dc.date.available2022-12-26T08:00:32Z-
dc.date.issued2022-08-
dc.identifier.issn1229-3814-
dc.identifier.issn2713-5349-
dc.identifier.urihttps://scholarworks.gnu.ac.kr/handle/sw.gnu/2027-
dc.description.abstractW. B. Yeats’s early poetic material, which mainly comes from mythology, legend, and folklore, enhances the imaginative being, nobility, beauty, and unified images of eternal beauty. His pursuit of eternal beauty hold out coherence from his early poems to his later ones. His early poems “To the Rose upon the Rood of Time,” “The Rose of the World,” “The White Birds,” and “No Second Troy” depict not only passion and beauty but also the eternal beauty of Maud Gonne. In addition, “Leda and the Swan,” one of his later poems, contains a sexual image and represents a view of the historical cycle and civilization. Helen is a personal symbol for Maud Gonne’s eternal beauty.-
dc.format.extent21-
dc.language한국어-
dc.language.isoKOR-
dc.publisher현대영미어문학회-
dc.title예이츠의 영원미: 모드 곤을 중심으로-
dc.title.alternativeEternal Beauty as a Symbol of Maud Gonne in Yeats-
dc.typeArticle-
dc.publisher.location대한민국-
dc.identifier.bibliographicCitation현대영미어문학, v.40, no.3, pp 145 - 165-
dc.citation.title현대영미어문학-
dc.citation.volume40-
dc.citation.number3-
dc.citation.startPage145-
dc.citation.endPage165-
dc.identifier.kciidART002877430-
dc.description.isOpenAccessN-
dc.description.journalRegisteredClasskci-
dc.subject.keywordAuthoreternal beauty-
dc.subject.keywordAuthorrose-
dc.subject.keywordAuthorromanticism-
dc.subject.keywordAuthorhistorical cycle-
dc.subject.keywordAuthormythology-
dc.subject.keywordAuthor영원미-
dc.subject.keywordAuthor장미-
dc.subject.keywordAuthor낭만주의-
dc.subject.keywordAuthor역사 순환-
dc.subject.keywordAuthor신화-
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