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포스트휴먼 소설의 한계: 메리 셸리의 『프랑켄슈타인』에 나타난 인간성에 대한 향수The Limits of the Posthuman Novel: A Nostalgia for Humanity in Mary Shelley’s Frankenstein

Other Titles
The Limits of the Posthuman Novel: A Nostalgia for Humanity in Mary Shelley’s Frankenstein
Authors
구승본
Issue Date
2020
Publisher
새한영어영문학회
Keywords
Mary Shelley; Frankenstein; posthumanism; humanism; anthropocentrism; inhuman; superhuman; monster; figuration
Citation
새한영어영문학, v.62, no.4, pp.43 - 63
Indexed
KCI
Journal Title
새한영어영문학
Volume
62
Number
4
Start Page
43
End Page
63
URI
https://scholarworks.bwise.kr/gnu/handle/sw.gnu/7458
DOI
10.25151/nkje.2020.62.4.003
ISSN
1598-7124
Abstract
This paper examines Mary Shelley’s Frankenstein in light of philosophical posthumanism, a critical discourse of undermining the notion of anthropocentrism in traditional Western thought. The main purpose is to cast doubt on the claim that Frankenstein dramatically epitomizes the basic tenets of posthumanism both through Victor’s superhuman engagement in scientific experiment of creating a new life and through the hybrid traits of the inhuman Monster, particularly revealed in his relationship with other human characters. Rephrasing Lyotard’s idea that postmodernism is an attempt to rewrite modernity in such a way that posthumanism is an attempt to rewrite humanism, this essay illuminates not only the ways in which Shelley’s novel advocates the traditional values of humanism which are implicitly embodied in the Monster’s rhetoric, but also the ways in which this story debunks the myth of Victor’s egocentric and androcentric heroism.
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Koo, Seung Pon
인문대학 (영어영문학부)
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