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반복과 디오니소스적 혼돈의 환유적 원형극Metonymic Circular Plays of Repetition and Dionysian Chaos

Other Titles
Metonymic Circular Plays of Repetition and Dionysian Chaos
Authors
이봉환
Issue Date
2017
Publisher
현대영미어문학회
Keywords
dream play; repetition; Dionysian chaos; metonymic; improvisation; .
Citation
현대영미어문학, v.35, no.1, pp 127 - 161
Pages
35
Indexed
KCI
Journal Title
현대영미어문학
Volume
35
Number
1
Start Page
127
End Page
161
URI
https://scholarworks.gnu.ac.kr/handle/sw.gnu/14140
DOI
10.21084/jmball.2017.02.35.1.127
ISSN
1229-3814
2713-5349
Abstract
Such expressionistic and postmodernist dream plays as To Damascus 1, The Dance of Death, A Dream Play, and Ghost Sonata by August Strindberg principally show the anguish of joys and the pleasure of sufferings in human beings’ lives. His works consist of new dramatic patterns-a dream of fantasy, delusion, paranoia, memories, experiences, spontaneous ideas, lunacy, schizophrenia, impossibilities, and improvisations. He enjoys producing the dream plays related to the unconsciousness of inner minds. His favorite themes have been endless waiting and the suffering in lives; Mankind is to be pitied. He tries to create an innovative circle stage of repetition and Dionysian disorder with prototypical characters, flashback, montage, violence, hatred, revenge, deception, snobbery, incest, conversion, contrapuntal structure, dream, and death. His major characters are some wise persons who try to recognize Nietzschean Übermensch and eternal recurrence, Schopenhauer’s free will, Spinoza’s intuitive wisdom, the asceticism of Hartman and Kierkegaard, Swedenborg’s Gnosticism, and the causality and samsara of Buddhism.
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