『제인 에어』에 나타난 파레시아의 한계The Limits of ‘Parrhesia’ in Jane Eyre
- Other Titles
- The Limits of ‘Parrhesia’ in Jane Eyre
- Authors
- 구승본
- Issue Date
- 2018
- Publisher
- 현대영미어문학회
- Keywords
- . 파레시아; 푸코; 이데올로기; 부르주아; 가정; parrhesia; Foucault; ideology; bourgeois; domesticity
- Citation
- 현대영미어문학, v.36, no.4, pp 21 - 41
- Pages
- 21
- Indexed
- KCI
- Journal Title
- 현대영미어문학
- Volume
- 36
- Number
- 4
- Start Page
- 21
- End Page
- 41
- URI
- https://scholarworks.gnu.ac.kr/handle/sw.gnu/12447
- DOI
- 10.21084/jmball.2018.11.36.4.21
- ISSN
- 1229-3814
2713-5349
- Abstract
- This essay examines the limits of Jane Eyre’s ‘parrhesia,’ truth-telling or the courage of truth. Charlotte Brontë’s Jane Eyre has been regarded as a novel of a feminist critique against patriarchal discourses restricting women into the boundary of household where they should serve as care-givers of affection for their children and their husband. The Foucauldian notion of ‘parrhesia’ emphasizes the individual’s efforts to practise ethical self-governance. In accordance with the parrhesiates’ self-adjustment, Jane in the novel seems to express her voice of truth courageously against male figures’ dominant discourses of subordination and obedience. However, Jane unconsciously entraps herself into the mid-Victorian ideologies of political economy, domesticity, and Christian religion when she extols the fulfillment of her fantasized self-image supported by wealth and the hegemony of class consciousness.
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