ScholarWorks@Gyeongsang National University: Han, Gwi Eun

Detailed Information

Han, Gwi Eun (한귀은)

사범대학 (국어교육과)

Research Area

Tel
Homepage

ResearcherID ORCiD Scopus Google Scholar ID ResearchGate

Keyword

실재계:8||응시:7||Gaze:7||the Real:7||욕망:6||Desire:6||Symptom:6||주체화:5||환대:5||the Sense of Place:4||Hospitality:4||Placelessness:4||환상:4||우정:4||Perversion:4||충동:4||글쓰기 교육:4||시선:4||증상:4||Friendship:4||말걸기:4||도착증:4||Drive:4||Sinthome:4||Sacrifice:4||증환:4||Fantasy:4||Writing Education:3||Intersubjectivity:3||예외상태:3||윤리적 주체:3||Jouissance:3||대상a:3||Subjectification:3||Address:3||정신분석학:3||주이상스:3||Topophila:3||Trauma:3||타자성:3||상징계:3||홍상수:3||Psychoanalysis:3||희생:3||Allegory:2||장률:2||Short Film Education:2||Education of Writing an Essay:2||장소감:2||장소성:2||장소애:2||Her House written by Park WanSeo:2||Ten Minutes Cello:2||영화:2||멜랑콜리:2||Ten Minutes Trumpet:2||The Education of Writing a Essay:2||Alterity:2||The Real:2||The Symbolic:2||the Absolute Other:2||AudioVisual Codes:2||Narrative:2||Reading What If You Were a Producer:2||Films:2||Topophobia:2||Internal focalization:2||Performance:2||His House written by Park WanSeo:2||박완서:2||징후:2||박탈:2||Autonomy:2||스노비즘:2||애도:2||Traversing Fantasy:2||알레고리:2||Dispossession:2||Long Long Time Ago Whai Whai(<옛날 옛적에 훠어이 훠이>) by InHoon Choi(최인훈):2||Image:2||Montage:2||탈동일화:2||Scopic Field:2||Placeness:2||Look:2||포함된 배제:2||If you were me.:2||Camera:2||Positive Audience:2||Ethics:2||구원:2||Hysteria:2||윤리:2||(Post)Countertransference:2||State of Exception:2||Salvation:2||Snobbism:2||Novel Education:2||시관장:2||Melancholy:2||환상 횡단:2||대타자:2||Subjectivation:2||Education of Drama and Theatre:2||외상:2||Symbolic Identification:2||Polysemous Text:1||Potential not to:1||Profanation:1||Pure desire:1||Questioning:1||Recognition Struggle:1||Reflexive mode:1||Repetition and Difference:1||Ressentiment:1||Revenge:1||Right Now:1||Scapegoat:1||Scopic Drive:1||Seaside Flower(언니가 이해하셔야 돼요):1||Secret Sunshine(<밀양>):1||Self:1||Selfreflexivity:1||Separation:1||Skin Ego:1||Space:1||State of exception:1||Subaltern:1||Subversion:1||Symbolic Suicide:1||Symptoms:1||Synecdoche:1||Theatre for education:1||Tragicomedy:1||Tragicomic:1||Transcendental Passivity:1||Traversing the Fantasy:1||Video Production Education:1||Vulnerability:1||Writing as Sinthome:1||Wrong Then(<지금은맞고그때는틀리다>):1||Young Adult:1||Zhang Lu:1||cinéma vérité:1||ethical aporia:1||ethical subject:1||hospitality:1||inoperative community:1||subjective destitution:1||the Other:1||the Symbolic:1||the Symbolic Desire:1||《텐 미니츠 첼로》:1||《텐 미니츠 트럼펫》:1||≪그 남자네 집≫:1||감응:1||건강:1||결핍:1||경청:1||공간:1||그로테스크:1||글쓰기:1||김보라:1||꿈:1||내적 필연성:1||내적독백:1||내적초점화:1||논술:1||논술 교육:1||논술교육:1||논증의 한계:1||다의적 텍스트:1||다큐멘터리:1||단편영화 교육:1||대위법:1||대화:1||도덕적 상상력:1||독립:1||동시대성:1||동일화:1||들뢰즈:1||레비나스:1||르상티망:1||몽타주:1||무위의 공동체:1||무장소성(장소 상실):1||문학치료:1||미스터리 구조:1||미장아빔:1||미장아빔 구조:1||미학적 치료:1||바칼로레아:1||반복과 차이:1||복수:1||복수시점:1||분리:1||비가시계:1||비인칭 시점:1||비전체:1||비희극성:1||사랑:1||상실:1||상징계적 욕망:1||상징적 동일시:1||상징적 자살:1||상호인정:1||상호작용적 양식:1||상호주체성:1||상호주체적 소통:1||생태학적 감수성:1||서사:1||성숙:1||성찰적 양식:1||세속화:1||소설 교육:1||소수자:1||수행적 양식:1||순수욕망:1||시:1||시관충동:1||시네마 베리테:1||시선과 응시:1||시청각적 약호:1||신경증:1||실재:1||아비투어:1||언어의 수행성:1||여섯 개의 시선:1||연극 교육:1||연출가적 읽기:1||영상 제작 교육:1||영화인문학:1||예외적 사건:1||왜상:1||우울증적 자아:1||윤리적 아포리아:1||윤리적 전회:1||이미지:1||인물시점쇼트:1||인서트:1||인정투쟁:1||인터뷰 다큐멘터리:1||임순례:1||자기반영성:1||자아:1||자아이상:1||자율성:1||장소:1||장소 상실(무장소감):1||장소혐오:1||장애인성장영화:1||재난영화:1||적극적 관극:1||전복:1||절대적 타자:1||제도화된 우울증:1||제유:1||주체의 궁핍:1||죽음충동:1||증여:1||증환으로서의 글쓰기:1||지금은맞고그때는틀리다:1||질문하기:1||청년:1||초연한 수동성:1||최인훈:1||취약함:1||카메라:1||클로즈업:1||타자:1||타자 지향의 윤리:1||탈봉합화:1||통찰:1||퍼포먼스:1||피부자아:1||하위주체:1||하지 않을 능력:1||헤테로토피아:1||호모사케르:1||환상 가로지르기:1||환적:1||회심:1||회화성:1||희곡교육:1||희극성:1||희비극성:1||희생양:1||히스테리:1||<Fukuoka>:1||히스테리증:1||<Introduction>:1||<List>:1||<Lost in the Mountains>:1||<The Woman Who Ran>:1||<경주>:1||<그 여자네 집>:1||<도망인 여자>:1||<리스트>:1||<말아톤>:1||<밀양>:1||<벌새>:1||<언니가 이해하셔야 돼요>:1||<옛날 옛적에 훠어이 훠이>:1||<이리>:1||<인트로덕션>:1||<첩첩산중>:1||<파주>:1||<후쿠오카>:1||(탈)역전이:1||Addess:1||Aesthetic Therapy:1||Affection:1||Anamorphosis:1||AudioLingual Education:1||Centralization:1||Cinematic Humanities:1||Closeup Shot:1||Comedy:1||Conversion:1||Counterpoint:1||DeathDrive:1||Decentralization:1||Deleuze:1||Desuture:1||Disabled People’s Initiation Film:1||Disaster Film:1||Disidentification:1||Documentary:1||Dream:1||Ecological Sensitivity:1||Education:1||Education for theatre:1||Education of Film:1||Egoideal:1||Ethic Subject:1||Ethical Subject:1||Ethical Turn:1||Exceptional Event:1||Exclusion and inclusion:1||Eye:1||Film:1||Gift:1||Grotesque:1||Gyeongju:1||Health:1||Heterotopia:1||Homo－Sacer:1||Hong SangSu:1||Hong Sangsoo:1||Hong Sangsoo:1||Hostipitality:1||House of Hummingbird:1||Inclusion and Exclusion:1||Institutionalized depression:1||Interactive mode:1||Interview Documentary:1||Invisible World:1||Iri(<이리>):1||Jang Ryul:1||Kim Bora:1||Korean Language Education:1||Lack:1||Levinas:1||Life:1||Lim SunRye:1||Listening:1||Literary Therapy:1||Look and Gaze:1||Look(Eye):1||Loss:1||Love:1||Malaton(말아톤):1||Melancholic Ego:1||Mise en abyme:1||Mise－en－abyme:1||Moral Imagination:1||Mourn:1||Mourning:1||Multiple Point of View:1||Mutual Recognition:1||Mysterious structure:1||Neurosis:1||Nonpersonal perspective:1||Notall:1||Object a:1||Objet a:1||Objet petit a:1||Other:1||Otherness:1||Paju(<파주>):1||Performative mode:1||Performativity of Language:1||Pictureque quality:1||Place:1||Poetry:1||

RSS_1.0 RSS_2.0 ATOM_1.0

Gyeongsang National University Central Library, 501, Jinju-daero, Jinju-si, Gyeongsangnam-do, 52828, Republic of Korea+82-55-772-0532

Certain data included herein are derived from the © Web of Science of Clarivate Analytics. All rights reserved.
You may not copy or re-distribute this material in whole or in part without the prior written consent of Clarivate Analytics.

Detailed Information

Keyword

BROWSE