중국 조선족 남성무용 연구 : 19세기 후반부터 21세기 초반까지의 작품분석

초록

This study aims to examine the developmental trajectory and artistic characteristics of Chinese Korean male dance from the late 19th century to the early 21st century. Representative works were selected and analyzed through a combination of literature review, performance and video analysis, ethnographic observation, and theoretical approaches. The findings indicate that Korean male dance, originating from labor and hunting movements, expressed communal solidarity and resistance during the anti-Japanese war period, reflected socialist ideology and the fusion of tradition and modernity during the socialist revolution and reform era, and emphasized ethnic identity and global communication in the 21st century. These characteristics are embodied through the aesthetic principle of “the integration of stillness and movement” and the adoption of modern stage aesthetics. Chinese Korean male dance thus serves as a cultural text that strengthens ethnic identity, reflects socio-political contexts, and fosters global cultural exchange. Moreover, this study complements the existing female-centered research and provides new academic perspectives and possibilities for interdisciplinary expansion.

키워드