중국 전통 직물의 연꽃무늬 유형

초록

It is to consider the nature of design and classify the types, focused on the lotus pattern which appeared via weaving of 106 pieces in Chinese traditional textiles, in this research. According to the time of 106 relics, it was 80 pieces(75.0%) for Ming dynasty(明代), 19 pieces(18.0%) for Qing dynasty(淸代), and represents most of parts, so we can know that lotus pattern is widely used in Ming dynasty. For 106 pieces of subject, there are 135 kinds of lotus pattern. It is classified the lotus pattern as real type, design type, and abstract type, in accordance with shape and number of petal, shape of bloom, whether or not of bud, whether or not and shape of lotus thalamus, whether or not of lotus root, whether or not and shape of pollen, shape of leaf, and whether or not and placement of peduncle and leafstalk, etc. For 106 lotus patterns of 135 sorts, design type is 114 kinds (84.45%), forming absolute proportion, abstract type for 15 kinds (11.11%), and real type for 6 kinds (4.44%). The lotus pattern of real type can be subdivided into four kinds, according to component. In China, there are less sorts and proportions of lotus pattern of real type, compared to Korea, so it prefers real pattern in Korea. There are no evidence of real-A type, real-B type, real-C type, and real-D type, appearing in Korean relics, for Chinese artifacts. On the contrary, real-h type, which represented even lotus root, not being seen in Korean relics, was appeared. The design type was subdivided into eleven types, depending on expression method of petal and shape of bloom. For Chinese textiles, design-C type, design-D type, and design-G type to be appeared in Korean relics were not shown. On the other hand, design-K type, design-L type, and design-M type, which has only one piece respectively in Korean textiles, have been appeared as several

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