굿과 떼이얌의 여신 스토리텔링과 공동체 설득 전략 연구 -자청비와 쁘띠야바가바티를 중심으로

초록

Myth reveals the beliefs and faiths of the community through the universal verbal act as a story. Myth is a story about a god on the outside, and is a ‘religious narrative’ that mainly deals with a god. At the same time, there is also a common point that it was dictated in an ritual to experience divine nature. The story as an oral culture touches the essence of human beings. shamanic epic as storytelling sings a story based on imagination in order to unravel God's example. The imagination of God also serves as a device for appealing a sense of unity to all those who participate in Gut. Courage may have gained by acquiring the divinity through the strong and powerful actions of the gods against blocked, pressed, and frustrated events in life. Gut and Teyyam which were both a shaman ritual and a festival venue, were handed down in a specific area for a long time. In the stories passed down along with the performance of the ritual, the stories of the lives of the previous generations are alive. Some can meet a world of imagination that was believed to be happen even if it wasn't real. Since it has been transmitted orally within the shamanic community, it has been sung in rituals that allow members to experience divinity through religious narratives that take root in their beliefs and beliefs. No matter what world the world expressed in stories and rituals depicts, the universality and truthfulness of human life accompany it. Therefore, this study purposes to find the mythical role of female characters through the order of narratives of the goddess narrative, and examines strategies to persuade the community through rituals. The goddess narrative is a story centered around the actions of a character. It has a convincing strategic value that fits the purpose of the ritual. What is the literary value of the transmission of the goddess narrative as a shamanic epic, and the 'old story' is alive as the 'today's story' to resolve the conflict of the community and lay the groundwork for living well. Through the actions of the protagonists of the goddess narrative, nature of the 'goddess' would be examined, and consider whether their actions were sudden actions of a person who dreamed of overthrowing the system, or whether they deal with the human nature of living according to desire. The history of the goddess Petiya Bhagabati, who was sent from Thayyam in Kerala to tottam in southern India, and the history of the Jacheongbi of Segyeongbonpuri, unraveled in Gut of Jeju-do, are the stories of regions that formed a community based on farming. These goddesses are stories that were brought up based on the order of the agricultural society, so this study aims to reveal the narrative order of their stories, since there are similarities in the history of the protagonist becoming a god. Also, rituals that are conducted to unite the community and the strategy to minimize conflict, are to be examined, based on the goddess narrative as a storytelling. The study aims to confirm utility of the story based on universality as well as the power of culture that moves the human mind, even in the era of super-fast and hyper-connected.

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