1990년대 이후 여성시의 ‘몸’과 헤테로토피아 연구 - 김혜순과 김언희, 이원의 시를 중심으로 -

초록

Based on the establishment of the 1990s as the origin of women’s literature after the feminist reboot, this study examined the heterotopia aspects of single-body art in the poems of Kim Hye-soon, Kim Eon-hee, and Lee Won. If the representative place where gender inequality is represented is women’s single body, they allegorized women’s body as an anti-place as a poetic strategy and aesthetic practice against it. Kim Hye-soon’s “body” is the body of “chora,” which creates someone’s memories and experiences engraved in me as an endless “story,” like the infinity “fractal.” The body of “violation,” which resists the “forbidden” and subverts oppression revealed in Kim Eon-hee, evangelizes the idealized female image in the symbolic order of a patriarchal society and subverts the masculine order space. In addition, in this poem, a “cyborg” body appears that connects to a virtual space called “electronic desert” and is newly born and dismantled anytime, anywhere, highlighting it as a new place of solidarity by dismantling age, gender, race, and all discrimination and hierarchy between humans and non-humans. The heterotopia of “body” revealed in the poems of the three poets is the spatial topology of “resistance” and “liberation” that transcends sexual boundaries as an ectopic place that resists the male-centered order through the empirical existence of women. This is to open the woman’s body as a place of new discourse and possibility that coexists with others, going beyond the existing spatial order to otherize or ghettoize the woman’s body.

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