카자흐스탄 목축사회 재건의 한 모자이크 — 사르불락 마을의 “초원의 눈” ―A mosaic of the Reconstruction of Kazakhstan's Pastoral Society — “The Eyes on the Steppe” in Sarybulak village —
- Other Titles
- A mosaic of the Reconstruction of Kazakhstan's Pastoral Society — “The Eyes on the Steppe” in Sarybulak village —
- Authors
- 공원국
- Issue Date
- Jun-2025
- Publisher
- 중앙아시아학회
- Keywords
- Kazakhstan; “eyes on the steppe”; Kokpar; hired herders; mobile pastoralism; common land; 카자흐스탄; 초원의 눈; 콕파르; 대리목부; 공유지; 이동방목
- Citation
- 중앙아시아연구, v.30, no.1, pp 161 - 193
- Pages
- 33
- Indexed
- KCI
- Journal Title
- 중앙아시아연구
- Volume
- 30
- Number
- 1
- Start Page
- 161
- End Page
- 193
- URI
- https://scholarworks.gnu.ac.kr/handle/sw.gnu/80209
- DOI
- 10.29174/cas.2025.30.1.007
- ISSN
- 1738-0200
- Abstract
- After independence, the pastoral societies in Kazakhstan went through a gradual recovery process after a sharp socioeconomic decline. The government's role in the recovery process was limited to providing a minimum legal standard. Pastoralists, instead, who had fallen from full employment in collective farms into unemployment, went beyond the “period of chaos” and reached a stage where they were able to rebuild their society through their own efforts. In this process, the “eyes on the steppe” played a pivotal role in providing stability to pastoral society, acting as a nexus between pastoralists and pastures, pastoralists and animals, and pastoralists and the entire village members. The key players in the emergence of this “eyes on the steppe” were the herders who gathered the livestock of smallholders and grazed them on their behalf. They firmly established a culture centered on production bases including Kokpar game, and since this culture has been directly connected to production activities it has the power to reproduce itself and grow by itself without being separated from real life. This paper presents a new perspective on the entire Kazakh pastoral society by tracing the behavioral patterns of the members of Sarybulak village, who gathered around the “eye on the steppe.”
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