2022 중앙아시아 영화 연구: 카자흐스탄 영화 <계략(Схема)>과 타지키스탄 영화 <행운(Дов)>을 중심으로

Abstract

In this paper, I analyzed the film Scheme directed by Farchat Sharipov from Kazakhstan and the film Fortune directed by Muhiddin Muzaffar from Tajikistan. As mentioned in the introduction, both works inherit the tradition of Central Asian cinema. It was confirmed that it was about migrant workers. Specifically, what the film Scheme pays attention to is the problem of youth prostitution and drug use. Influenced by the 'Kazakhstan New Wave', which faced the social problems of the new era after independence from the Soviet Union, director Farchat Sharipov in this work shows that prostitution and drug use among teenagers are not limited to youth problems. However, it is said through the actions of parents that this is also a problem for adults. Kazakhstan director Farchat Sharipov's film Scheme, which has been evaluated for its quality at leading overseas film festivals, is a work that sharply pointed out social problems in its country. Tajikistan feature film Fortune was completed after a long planning process despite the difficult industrial situation. While inheriting the tradition of Central Asian cinema history, this film did not neglect the cinema aesthetic perfection. Also, through these two works, it was found that the Central Asian cinema industry is steadily producing films with quality despite the difficult internal and external environment.