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알제리 민족음악 담론과 라이National Music Discourse of Algeria and the Raï

Other Titles
National Music Discourse of Algeria and the Raï
Authors
임성희권호종
Issue Date
2018
Publisher
조선대학교 국제문화연구원
Keywords
라이; 알제리 음악; 음악담론; 월드뮤직; 샤비; raï; Algerian music; music discourse; world music; chaâbi.
Citation
국제문화연구, v.11, no.2, pp 1 - 26
Pages
26
Indexed
KCICANDI
Journal Title
국제문화연구
Volume
11
Number
2
Start Page
1
End Page
26
URI
https://scholarworks.gnu.ac.kr/handle/sw.gnu/12292
ISSN
2005-3444
Abstract
Algerian new government had to build the unity of the country from an ethnic, cultural and linguistic diversity, linking the past interrupted by colonization to the present. For this, "Andalusian" traditional noble music was promoted as a music model serving as a source for the Algerian identity. Many researchers have tried to reconstruct the history of Andalusian music to justify its antiquity by proving the continuity. However, the raï, marginalized from its beginnings, becomes a "world music" and symbol of Algeria. In fact, raï did not originally fit the criteria of tradition. When the raï was a great success, the government, which needed to legitimize it, tried to give it some desirable attributes. Many studies of raï tried to go as far as possible in search of it’s origin and to link it with chaâbi, derived genre from Andalusian music. The raï phenomenon reveals that Algeria's unidimensional identity was based simply on an imaginary.
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인문대학 > 중어중문학과 > Journal Articles

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