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메도루마 슌(目取真俊) 문학에 있어서의 ‘나비’ 표상 연구A Study on the Representation of 'Butterfly' in Medoruma Syun’s Literature

Other Titles
A Study on the Representation of 'Butterfly' in Medoruma Syun’s Literature
Authors
김명주
Issue Date
2019
Publisher
한국일본어교육학회
Keywords
Medoruma Syun; Butterflies; Onari―Gami; Soul of the dead; Okinawa literature; 메도루마 슌; 나비; 오나리신; 사자의 영혼; 오키나와 문학
Citation
日本語敎育, no.89, pp 113 - 127
Pages
15
Indexed
KCI
Journal Title
日本語敎育
Number
89
Start Page
113
End Page
127
URI
https://scholarworks.gnu.ac.kr/handle/sw.gnu/10170
DOI
10.26591/jpedu.2019..89.009
ISSN
2005-7016
Abstract
This study examined the symbolism of “butterfly” in four pieces of Medoruma’s literature. First of all, Medoruma's “butterfly” is based on Okinawa's folklore symbol system, such as the “soul of the lion” or the “Onari God faith” that female siblings protect male siblings spiritually. However, Medoruma not only restored butterfly to such a folklore symbol system, but also established it as a motif that arouses the tragedy and wounds of modern and contemporary histories such as Brazilian immigration history and Okinawa war, and symbolizes the Okinawa region per se, which has overcome the adversity with its own bright power in the long history. Medoruma intended to express his will to resist the Japanese policies from the late 1990s to replace problems such as the US military base with the illusion of 'island of healing' to form a tourism boom or entertaining social atmosphere and represented the will to overcome with ‘butterfly’.
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